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                 Tom Eubanks

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The American Writer

Popularly Confusable Words - Part Two

                                            

        Ability/Capacity; Accept/Except; Advise/Advice.  These were the words I discussed in Part One back on April 8.  So here are a few more words that have become popularly confused:

        Adapt, Adopt

        Adapt is used to mean preparing for a situation; adopt has the double-meaning of accepting a child not biologically your own and raising him or to choose to use a particular plan.

        I would like to adapt to being a conservative in the People's Republic of California, but if it means driving a Volvo forget it.

        I decided to adopt the child, but the child would not adapt to eating breakfast for dinner and dessert first, so I gave him back.

        I adopted a weight-loss plan, but the weigh-loss plan would not adapt to my eating breakfast for dinner and dessert first, so I got my money back.

        
Allusion, Illusion

        
Allusion is a verb (from allude) meaning a reference to something; illusion is a noun: a magical appearance.

        I alluded to the magician's disemboweling illusion in my treatise, "Do You Have the Guts to do Magic?"
    
        The professor's allusion to my treatise about being a magician as being superficial was his own narrow-minded illusion of magic as an art form.

        
Averse, Adverse

        Averse simply means I don't like something; adverse means harmful.

        Adverse is more often used with things than humans.

        I am averse to smoking in public, since it's adverse to my image as a man without vices.

        I am averse to phony images, since it's adverse to being honest.

        That's all for now.  Watch for Popularly Confusable Words - Part Three:

        Among, Between        Compliment, Complement        Counsel, Council

        
On Word!

American Pixels: Photo-to-Story Contest #2

        Contest #2

Remember the guidelines:

        1.    View and study the Robert X. Jones image.
        2.    Use the image as the visual impetus to write a short story.
        3.    Write a short story between 500 and 1500 words.
        4.    E-mail story to
tom@tomeubanks.com by 11:59 p.m. May 6, 2011.  (Don't forget to put your title and by-line at the top of the story.)
        5.    I will choose the first place story for publication in The American Writer.
        6.    The winning story will be published in The American Writer and I will send the winner a special prize.

    Here's the official Robert X. Jones photo:

                                

Onward.

Cherry Road - Chapter Four


                                            


                                        Chapter Four

Five o’clock that evening, the sun still radiant over the tops of the western rows of his orchard, Denny lounges in his Lazy-Boy recliner in the living room and, using the special green button on his remote, scrolls through a canon of programming.  De trop reality TV is dominated only by mindless sports and slothfully written sitcoms. 

            He decides to drive into Ventana Springs to rent a movie.  And to stop by Bayler’s Market for a new package of Oreo cookies.  He showers, dresses in a fresh green sport shirt and tan Docker’s shorts, evaluates himself too long in the mirror, changes out of the shirt and shorts, slides through the clothing in his closet, and puts back on the same green shirt and tan shorts; this time, though, he’s pleased with his good luck: he inherited his parents’ hardy handsomeness.  There are his father’s penetrating blue eyes, the broad flat forehead, the angular physique; his mother’s straight nose, wavy blond hair, full lips.  Perhaps too effeminate for lips on a man, but he catches some women looking at them longer than ordinary interest.

            He backs the Oldsmobile Delta 88 from the garage and heads down the mountain.  At the highway, he notices the station wagon is still parked under the trees.  Shadows darken the interior.  His confrontation with the girl finds the regret he felt before when she left without the food.  He wants to apologize, but he is afraid it will only encourage her to return.  He drives away, passing the station wagon without another glance.

***

            Since Bayler’s closes at six on Sundays, he stops there first and buys Oreos, another jar of Skippy and a loaf of whole grain bread.  Kay works the register.  He doesn’t know what to say.  The words he recited during the drive to town jumble like Scrabble tiles.

            “Sorry about Sam,” she says, dragging the bread across the bar-code reader.

            He plays ignorant.  “Sorry for what?”

            “Dumping your cherries in the trash.”

            All he can think to say is: “I won’t send a bill.”

            “No, no,” she says, “please, that’s not what I mean.  God, he can be such a pain in the ass.  If I get like him at his age, I hope somebody shoots me in the head—you know, to put everyone else out of their misery.”

            Denny laughs.  And words fall into a straight line.  “Guess what.  You’ve never, uh, been up to my house before.  You know.  I invite you to dinner.  Before you leave.”

            Her face freezes in surprise, and then melts to a warm smile.  “Well, sure.  Love to, Denny.  That’s very nice of you.”

            “Tuesday?  Seven?”

            “I can’t get out of here until after seven; can we make it eight?”

            “Eight.  Fine, good.  Eight’s better, yeah.”

            “All right,” she says, dragging the Oreos across the bar-code reader.  “Tuesday.  Thank you.”

            “Eight.  You’re welcome.  Great.”

            Excitement overwhelms him.  He drives out of town and remembers that he came to rent a movie, chuckles to himself.  No, you didn’t.  You came to ask Kay to dinner.

            On the drive home, he plans for Tuesday night.  What will he cook?  Lasagna.  And some garlic bread.  A white wine—a Chardonnay.  Before he realizes, he’s arrived at Cherry Road.

            Sitting behind his fruit stand in the big red chair is a woman in her thirties with short, scruffy black hair, a face strangely attractive—in a trashy way—hard featured, slits for eyes.  She watches him turn up the road.  He stops the car, feeling secure that he knows the right thing to do.  He attributes a change of heart to his date with Kay.  Leaving the engine running, he takes the bag of food and walks to the woman—who doesn’t move—and sees she wears a stained, light blue t-shirt with Bodega Bay written across the front over a background of the ocean, sea gulls flying.  Her blue jeans are torn at the knees—on purpose perhaps to be in style—and she’s barefoot.  He introduces himself.  She nods.  He hands her the bag of food.  Taking it, she looks inside, folds it up and thanks him.

            “If you still need gas,” he says directly, “I have a gallon up in the barn.”

            She gestures to her car and replies, “That’ll get that thing about ten miles.”

            “It’ll get you to a gas station.”

            “Need money to buy gas,” she says, head rocking side to side incredulously.  Denny doesn’t like the way she says it.

            “You say that like it’s my fault.”

            “I said it like it’s the truth,” she says.  “It ain’t your fault.”

            “Did Sharon help you out any?”

            “Who’s Sharon?” He points to the Sturtevant house.  “Yeah.  Can of tuna, some Wheat Thins, couple tomatoes.”

            “She’s a nice lady.”

            The woman nods with open disinterest.  Denny glances around, stepping to the side to look over at her car.  “Where’s your daughter?”

            “Why?”

            “We, uh, didn’t hit it off very well.”

            “She’s a little young for you.”

            “I don’t mean—what are you—I mean, well, we sort of had a little . . . spat.”

            She grimaces. “A spat.  Arlie doesn’t have spats.”

            “Well—”

            “What’d she say?”

            “It wasn’t her.  It was me.  I was tired and she surprised me.  I could’ve been nicer, but, uh . . . .”  He doesn’t finish.

            “You were an asshole?”

            Her blunt accusation rallies a platoon of defensiveness.  His impulse to get angry, tell her she’s an ungrateful bitch, kick her off his chair, off his property, call the Sheriff fritters away to “Yeah.”

            “She told me.”

            A car door slams.  Arlie, her hair still in the ponytail, strolls over as if she’s on a nature walk, eyes in the trees and sky.

            “Hi,” Denny says too brightly.  “I’m Denny Bringleson.”

            “I’m Arlie.”

            He turns to her mother.  She says, “Bobbie.  Roberta, actually.”

            He points to the bag in her lap and says to Arlie, “I brought you more food.  Sorry about this afternoon.  I wasn’t very neighborly.”  He glances at Bobbie, back at Arlie.  “An asshole, I guess.  I don’t use that word, but I guess that’s what I was—good word today.  Yeah.”

            Arlie stuffs her hands in her back pockets and says, “We aren’t neighbors, but you’re definitely an asshole.”

            “Arlie,” her mother says, chuckling, scraping mud from the cuticles of her nails with her thumb.  “Looks like we might be neighbors for a time, though, if we don’t get enough gas money.”

            Denny senses she’s saying something for his benefit.  It wouldn’t hurt him to give them twenty bucks so they could get home.  But maybe twenty bucks isn’t enough.

            “Where do you live?”  It’s Arlie’s snorts back.  “What?  Am I missing something?”  Bobbie points to her car.

            “That’s home.”

            “Where you headed?”

            “Nowhere in particular,” Bobbie answers.  “L.A., maybe Phoenix.  Maybe right here  in—what’s the name of this place?”

            “Ventana Springs.”  He envisions them staking camp right on his property under the pines, littering, mooching, maybe stealing.  He’d resort to locking his windows and doors when he left, something he never does now.  “How much do you need to get where you want to go?”

            Bobbie looks up at him.  “Two hundred.”

            Arlie adds, “But three would be better.”  A glance at her mother.  “Think so, mom?”

            Denny nods, already telling himself there’s no way he’s going to give two total strangers who think he’s an asshole that much charity.  “I can . . . I’ll give you a hundred.”

            Bobbie glances at Arlie.  “Okay.  I have to feed my girl.  It’ll sure help.”

            “I’ll go get it.”

            “Wait, though,” Bobbie says.  “I’m not taking any charity.”

            “I thought you—”

            She stands.  “I earn it.”

            He starts to ask how, hesitates, fearing her answer might embarrass him.  She isn’t unattractive.  And there’s nothing repugnant about her, except her gruff, blunt way of talking.  Still, he doesn’t want what he thinks she’s offering.  It isn’t a lack for wanting it, it’s . . . it’s that he doesn’t want the first time to be like this.  He can’t think of how to turn her down.  He’s never had this kind of offer. 

            She needs the money.

            He admits to that voice that her openness, the offering of herself for and in front of Arlie excites him.

            The woman—Bobbie—still carrying the bag of food, and the girl named Arlie walk to the Oldsmobile.  He follows silently, wondering if he has things right.  They get in the car.  Arlie slides over between Bobbie and Denny.  He drives up Cherry Road, feeling Arlie’s stare like something hot and stinging and glances past her to her mother.  Calmly, Bobbie pulls a half-smoked cigarette from her shirt pocket, lights it, and inspects the hazy, August sunset.

American Pixels Winner: Lisa Snider

        The American Writer is proud to announce LISA SNIDER as the winner of the first American Pixels Photo-Story competition.  Congratulations, Lisa!  And thank you to all who submitted.  There were some interesting stories told.  
       I chose Lisa's because she thought outside the box and approached the story from a perspective that included the image as an integral part of the story.  Her story is published here today.  She also wins a $25 Gift Card to Barnes & Noble, which she will receive in the next day or two.
        And now.  Without further introduction:

                                    Lonely Motel

                                                                By Lisa Snider




                        


        Is it a woman’s story or a man’s story? It’s not a dog’s story. Well, it could be a dog’s story. It most certainly is not a cat’s story. 
        I think the photographer who took that picture wanted us to know he was sad. This is a dark lonely place without color or laughter. Someone cared enough to plant a blooming vine on that trellis, but they never gave it water. The lights are on but nobody’s home. That’s not a statement about anyone’s intellect. That’s a fact. All these lights spinning the electric meter around, but no one there except the photographer to see his way through the parking lot. That would make me mad. And leery. What kind of place has all these lights on and an empty parking lot? Heck, I’d park my car right next to my motel room door, too, with the car facing out. Just in case someone came along and wanted to pick a fight. Just trying to get some shut eye and some thug comes along wanting to empty my pockets or something. No sir, I can get right in my car and drive off. Leave this place all alone just like I found it. You can have it. 
        Yeah, you’re right, that makes no sense. That’s not his car. Bank took his car back. He’s not trying to get some shut eye; he’s trying to get some tail. She parked that way because more than once she’s had to get out of a tough situation. Fast. Grab the money and run. Drunks, meth-addicts, weird fetishes. Try putting a car in reverse when some lunatic without pants is coming after you with a switch blade. “I told you to paint your toes red,” he screamed while sliding across the hood of her car and tearing off her windshield wipers. Never again, she said. Park facing out. Every time. Red toe nail polish? Who has time for pedicures? Not me, she thinks. Got to pay the bills. Got to get enough cash together to put a first and last on my own place. Sick of shacking up with those losers. Leave their dishes in the sink till they stink. Drink all my milk. 
        But this guy’s not so bad, she thinks. He even lit a smoke for me. As long as he keeps that camera off of me and doesn’t ask me to talk baby talk to him. He’s not that kind of guy, though. Nope, this one’s easy money. He said I was pretty. I believe that about as much as I believe he’s Richard Gere, she thinks. 
        So he had his way with her and while she’s in the shower he decides to take his camera out for a walk. He goes out the door and scares an alley cat off the hood of her car. Stupid cat, he thinks. What’s he hanging around here for? No one’s here, no one’s going to feed him. He walks across the parking lot thinking he’ll get a shot of this alley cat. But it’s gone. 
        Maybe it is a cat’s story.  

                                            THE END

And thank you Robert X. Jones for the amazing shot that inspired this story.  The next American Pixels competition will be held in a couple of weeks.  I'll post the Robert X. Jones photograph this week on Friday, April 22. 

Until then. . .onward.

Death & Taxes

        On the way up to see my mother-in-law in the skilled nursing home where she was under the care of hospice, I posted my tax return with a check at the post office.
        When I arrived at a skilled nursing home, the woman I've known and loved for 38 years had passed away ten minutes before I arrived.
        My wife's mother, Eunice Zukowski, will be remembered for her willingness never to given in and unwillingness to reject.  We had many differences.  But, in the end, they didn't matter.  All that mattered were three things:  1) our common love for each other; 2) our love for her daughter; and 3) knowing where she would be for eternity.
        The only two things we have to do in life happened today.  
        Onward.       
        

Good Intentions

        It's Wednesday and time for writing something for The American Writer.   But the good intentions I bestowed upon the readers were not enough to veer me away from Priorities.  Notice how I capitalized that word.  Because these aren't just my everyday priorities (lower case "p").  These are my Every-second Priorities.  This is about family.  A woman I've known and loved for 38 years--my wife's mother--is very ill and may not survive.
        I intend to write something on Friday.
      Onward, Eunice.
        

Family Business

        Life got in the way of my posting anything yesterday and, as I begin my morning, Life is still taking me away from my computer.  If I can get back in tonight, I'll post Monday's today; otherwise, look for something on Wednesday, as usual.  

        This is what's coming:

        1.  Conjunctive Adverbs (exciting!)
        2.  More Popularly Confused Words
        3.  Chapter Three of
Cherry Road
   
        
And next week, I'll announce the winner(s) of the American Pixels Short Story contest.  Don't forget: deadline for submissions to tom@tomeubanks.com is this Friday, April 15 at 11:59 p.m.  


       

Popularly Confusable Words - Part One


                                      



        At times I mistakenly use the wrong word and don't even know it.  Some words simply find new meanings merely due to popular wrong use.  Using the incorrect words affects my writing style, because there are readers out there who know the difference.  So when I use the incorrect word, I'm confusing my reader and tainting my style.
        Here are a few words commonly misused:

        Ability, Capacity

        Ability is the skill to do something; capacity is the volume of a space.  

        I showed great ability to fill my stomach to its capacity.

        I can use capacity to mean ability (it's not incorrect), but to be precise, they are different words with different meanings.

        I have the capacity to eat too much.  Which means I have a stomach with enough room to eat too much.  But if I mean I have the ability to put more food in my stomach than there's really room for, I probably want to write: I have the ability to each too much.  I have to consider what I'm really trying to say before I choose the correct word.

        Accept, Except

        Accept is a verb meaning to agree to receive something; except is a word that means letting alone or separating out.

        John accepted her proposal for marriage.  Everyone except John showed up for the wedding.

        Advise, Advice

        I confuse these two all the time, mainly because they both mean the same.  I try to remember the se and ce rule:  se is a verb; ce is a noun.  They are not interchangable.

        I advised my proctologist to take my advice and stop trying to find my head up there.

        That's all for now.  There will be more. . .so watch for Popularly Confusable Words - Part Two.

        On Word!

American Pixels: Photo-to-Story Contest #1

        Here's the first of what I hope to be many American Pixels photo-to-story contests.  Remember the guidelines:

        1.    View and study the Robert X. Jones image.
        2.    Use the image as the visual impetus to write a short story.
        3.    Write a short story between 500 and 1500 words.
        4.    E-mail story to
tom@tomeubanks.com by 11:59 p.m. April 15, 2011.  (Don't forget to put your title and by-line at the top of the story.)
        5.    I will choose the first place story for publication in The American Writer.
        6.    The winning story will be published in The American Writer and I will send the winner a special prize.

    Here's the official Robert X. Jones photo:


                            
                                                  Photo by Robert X. Jones
        


American Pixels

        Robert X. Jones's photographic blogs Pixels of Fury and Fundamental Jelly are my favorite places to visit for a quick visual pop, like a caffeine surge to the brain.  He makes me appreciate photo-imagery; his images ensconce my desire for a flash of artistry; his photographic eye is blurred with humor and enigmatical contrasts.  He has a unique way of forcing your eye to see the prosaic in a new way. 
        For over a year, I've been viewing his images.  They usually compelled me to storytelling.  But I didn't dare.  Until now. 
        This week, one of his images will be chosen for The American Writer to present as the prompt for a short story.  Here's the plan for American Pixels:

        1.    American Writer readers view the Robert X. Jones image.
        2.    American Writer readers use the image as the visual impetus to write a short story.
        3.    American Writer readers write a short story between 500 and 1500 words.
        4.    American Writer readers e-mail story to
tom@tomeubanks.com by April 15, 2011.
        5.    American Writer (me) will choose the first place story for publication in The American Writer.
        6.    American Writer (me) will send the winner a special prize.

        Got it?  That's right.  It's a contest.  If I get a whole bunch of stories, then there might be second and third place winners who'll also get prizes.   Sound like a plan?  

        Check back on Wednesday for the image!  And thanks, Robert!

        Onward.

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Recent Posts

  1. Think of Me as Cal-Trans
    Saturday, June 11, 2011
  2. Under Construction/Destruction
    Saturday, May 21, 2011
  3. So?
    Wednesday, May 18, 2011
  4. Cherry Road - Chapter Five
    Monday, May 16, 2011
  5. Staged Readings: Polishing the Play
    Wednesday, May 11, 2011
  6. 500 Miles . . . and Counting?
    Friday, May 06, 2011
  7. Popularly Confusable Words - Part Three
    Wednesday, May 04, 2011
  8. Favorite Words: Capacious
    Monday, May 02, 2011
  9. The Big Picture: Writing Outside My Generation
    Friday, April 29, 2011
  10. Moreover, Did You Hear the Story about the Conjunctive Adverbs?
    Wednesday, April 27, 2011

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