American Right: Act Two - Scene Two (Finale)
\Kim Demmary (Det. Angela Zulinski); Curtis Cline (Dr. Vince Anders); Gary Cunial (Det. John Scott);
Joe Boles (Dan Harper) - Photo by Dean Zatkowski
This is the final scene of the play.
American Right
Act Two
Scene Two
Interrogation Room One. Continuous from last scene. Same set up as the day before with table and three chairs in center of room. The room is empty for a few seconds. SCOTT enters, still not wearing his coat, his gun exposed on his waist, holding VINCE, who is handcuffed. He seats him in the S.L. chair.
Vince: Are you arresting me?
Scott: Thinking about it.
Vince: For what?
Scott: Assault, battery–
Vince: I just wanted her–
Scott: Gambling without a license–
Vince: Are you kidding me?
Scott: Mayhem.
Vince: Mayhem?
Scott: When you mutilate or cut off an appendage, it’s mayhem.
Vince: You learn something every day. I thought mayhem was like–havoc. (Pause.) So you must not have a body, or you’d–.
(The door opens. ANGELA leads MINA into the room and points to the S.R. chair; MINA sits.)
Angela: (to SCOTT): I know we’re not supposed to mix witnesses--
Scott: He’ not a witness.
Angela: (to MINA): Tell us–in front of Vince–exactly why you went over to his house.
Mina: (hesitating and vacillating between the stories she can tell): To, uh, do something.
Angela: To do what?
Mina: Vince, I’m sorry, I–
Vince: (facetiously): Please. Call me Dr. Anders.
Mina: I didn’t understand what I was doing.
Vince: So you’re ignorant?
Angela: And what were you doing?
Vince: Hey, what the hell, call it bliss.
Mina: Trying to help Paul. Dr. Lebeau.
Vince: Like many liberals, Paul’s basic argument is that every formidable conservative is just plain dumb–
Scott: Hey!
Vince: –so who does he go to for problem-solving?
Mina: I’m not stupid!
Angela: Let her talk.
Vince: She just did.
Mina: (after a pause): Dr. Lebeau told me he was in trouble.
Vince: Let me explain the trouble–
Angela: You’ll get your turn!
Mina: With the college–what-a-ya-call’em–
Vince: Trustees.
Mina: And that–(points to VINCE)–he caused the trouble. (Pause.) Paul asked me...asked me to go into Vince’s house.
Angela: To do what? Mina, what did you do?
Mina: (to VINCE): She told me to say I saw you with Paul at the driving range yesterday. But I didn’t, and I’m really–
Vince: (to ANGELA): You told her to say that?
Angela: Drop it, Vince.
Vince: And recorded it? What–
Scott: Never mind–
Vince: (livid): I’m not going to never mind!–why would you tell her to do that!? Why the hell would you want me to hear something that we both knew was not true!?
(ANGELA and SCOTT look at each other–then at MINA. She looks at all three, not understanding what’s happening.)
Mina: You told me to say it.
Scott: Exactly.
Mina: I thought I was helping.
Angela: Helping how?
Mina: I don’t know.
Vince: Ah! More bliss!
Mina: I’m sorry! I was trying to help! (To ANGELA): You wanted me to do something, so I did!
Vince: Yes, and Paul wanted you to do something–and you did!
Angela: Will you do anything for Dr. Lebeau? (MINA struggles with an answer.) Mina. It’s "yes" or "no."
Mina: It’s not "yes" or "no." It’s, like, in between.
Vince: (turning to ANGELA): Ah! A moderate!
Scott: Is everything political to you?
Vince: Is everything a conundrum to you?
(SCOTT looks inquiringly at ANGELA.)
Angela: A puzzle.
Vince: I’m not the sum of what I teach. And I suspect you’re not always...puzzled. But we both act on our experience. Mine is political; yours is...I don’t know–solving riddles.
Scott: Listen, pal, crime is not a riddle.
Vince: Well, it’s starting to sound like one. And it goes like this: what’s empty of credentials, manufactures slander, morally-challenged and has only nine fingers. (ANGELA has a visceral response.) Give up?
Angela: (without humor): A dead liberal professor.
Mina: What’re you talking about?
(When no one answers her, MINA realizes for the first time the degree of seriousness of the investigation. MINA softly cries.)
Angela: I’m sorry.
Mina: I loved him. (To VINCE, hopeful, for emphasis): I love him.
(Even VINCE shows a glimmer of compassion for her feelings.)
Vince: I didn’t know that. I’m sorry.
(Long pause.)
Angela: (to MINA): We weren’t sure if you and Vince were in on this together. If you were willing to lie against Vince–(she gives VINCE an apologetic shrug). We needed to hear what you two talked about.
Mina: So there are microphones in that room. (Long pause. To VINCE): I left a cigar in your house. In your freezer.
Vince: (baffled; simultaneous with "In your freezer."): A cigar?
Mina: When you went to the backyard to get Oscar.
Scott: How do we know you put it there?
Vince: Why a cigar–?
(VINCE looks at SCOTT; SCOTT looks somberly at ANGELA, who distractedly crosses away from the table.)
Mina: Why would I admit to planting a cigar in a freezer if I didn’t?
Vince: Why? What’re you doing putting a cigar–!
Mina: I don’t know why! He told me to put it in your freezer–he said it would help him, so I did it. I thought it was, like, a practical joke or something.
Vince: What kind of cigar?
Mina: I don’t know! I didn’t actually see it! It was in one of those metal tubes.
Vince: Metal tube? (Starts to put things together.) You mean–.
Mina: And now he’s gone. (Begins to cry again.) He’s just missing, right? You don’t know for sure that...you don’t know.
Vince: (to MINA): You gave me the finger! (They all look at him.) Not "the finger"–the one with Natalie’s ring!
Angela: (to SCOTT): I’m going to have George watch them in Two. (To VINCE): Come with me.
Vince: No! Wait a minute! You came into my house–did you even have a warrant–
Scott: You bet!
Vince: And you found a finger in my freezer–
Angela: I said, "Come with me."
Vince: So you conclude that I have something to do with Paul’s disappearance. What a couple of–!
Scott: (stepping closer to VINCE): Watch it! (To ANGELA): Why are you putting them in Two? (ANGELA doesn’t answer him.)
Vince: You thought no one had seen him since Tuesday, but she saw him Wednesday night at his house after she planted a finger in my freezer–
Scott: What’s your point!?
Vince: –and then she saw him Thursday morning.
Angela: Come on, Vince–you’ll have your chance to–
Vince: So he’s not been missing long enough for you to even bother! Don’t you guys wait a couple days before assuming someone’s missing? Maybe he went to Vegas with some nymphet in one of his classes!
Scott: That’s enough!
Vince: Some theater wannabe with stars in her eyes!
Scott: (takes VINCE by the arm): Out!
Vince: Check to see if there’s any PETA conferences in town–
Scott: (simultaneous with VINCE): I’m warning you!
Vince: –and I’ll bet you’ll find him!
Angela: Vince!
Vince: (wrenching free and moving about the room with SCOTT trying to take hold of him): And how’d you know to check my freezer!? (ANGELA suddenly looks at SCOTT.) I want to see your search warrant! (SCOTT gets a hold of him.) What the hell is going on?!
Angela: Vince, stop it! Come with me!
Vince: You don’t know whose finger that is! I bet you don’t even have Natalie’s ring! (SCOTT reaches in his pocket, takes out a ring, holds it up to him, out of reach. VINCE looks at it for a long time, then looks away, acknowledging it’s the ring.)
Vince: (quietly; to ANGELA): It disappeared after a poker game at my house. Thought some cleaning people I hired took it. (Pause; coming to his conclusion.) Paul told her to put the finger in my freezer with that ring on it....(He can’t finish–the fury and hurt are too much.)
(SCOTT leads him to the door, hands the ring to her, then ANGELA takes his arm.)
Angela: (to MINA): You come, too.
Mina: I’m sorry, Dr. Anders.
(VINCE and MINA exit with ANGELA. Several seconds pass; SCOTT sits in S.L. chair, face in hands, at the table. ANGELA re-enters with DAN and puts him in the U.S. chair.)
Scott: I told you we didn’t need him anymore.
Angela: Couple more questions.
Scott: But...uh–
Angela: What do you do, Dan?
Dan: What, uh–what do I–?
Angela: For work–what do you do?
Dan: (a beat): I train horses. (ANGELA nods, glancing at SCOTT, then sits in the S.R. chair.)
Angela: That’s interesting. Where?
Dan: Out at Keebler.
Angela: Oh, those stables at the north end. What kind of horses?
Dan: (laughs; glances at SCOTT): Four-legged kind.
Angela: (laughs back, to make him relax): I know that, Dan. I meant, are they cutting horses, jumpers, breeders–
Dan: Thoroughbreds.
Angela: Wow. Were you a jockey?
Dan: Me? I’m too big.
Angela: Been around it a long time?
Dan: Twenty-three years.
Angela: Make a good living at it?
Dan: I don’t know–(laughs)–is it ever enough?
Angela: (a beat): You bet the horses?
Dan: (his demeanor changes with this question): What’re you getting at?
Angela: (completely honest): I’m not exactly clear on that–honestly. I talked to your buddy Roj again a few minutes ago and, well, I’m asking questions and letting your answers take me where they will. (SCOTT looks at his daughter, drumming nervously on the table with his fingers. To DAN): He’s tapping his fingers on the table. That means I’m off-point. It’s a signal we have. (To SCOTT): But I’m not. (DAN and SCOTT look briefly at each other; SCOTT folds his arms, sits back and silently gives his daughter the go-ahead to ask her questions.) You called it in, didn’t you?
Dan: Called...where?
Angela: Here. Yesterday morning.
Dan: Why–why would I–(looks at SCOTT)–what’s she getting at?
Angela: What’re you asking him for?
Dan: (appearing to be calculating something): I, uh...I–I didn’t call here–ever. Why would I do that?
Angela: To tell us that you saw Vince. At Dr. Lebeau’s house. Putting something in his trunk. At three in the morning Thursday.
Dan: Are you trying to pin Paul’s disappearance on me, now? Is that what Roj told you?
Angela: I didn’t say that. I asked you if you called here to tell us–
Dan: I heard you–and I’m reading between the lines! (To SCOTT.) You’re not going to let her do this to me, are you?
Scott: She’s just askin’ questions, Dan.
(ANGELA snatches a quick look at SCOTT.)
Angela: The T.I.P. line is recorded. I listened to the call a few times. I heard horses whinny. (SCOTT is openly surprised by her disclosure.) You didn’t hear them?
Scott: I didn’t listen to the call.
Angela: Oh. Don’t you usually listen to it?
Scott: You listened to it, you told me what was on it–why did I need to listen to it? You didn’t mention any horses.
Angela: Didn’t think of it, until after I talked to Roj. (To DAN): You called it in, didn’t you?
Dan: (after a long pause; very nervously): Yeah. I did.
Scott: Don’t worry, Dan, we’ll keep it confidential. (To ANGELA): Won’t we?
Angela: (hesitating): Depends.
Scott: Angela–
Angela: Dad–
Dan: The T.I.P line’s supposed to be anonymous.
Angela: Only if the tip is true. (A beat.) Is it?
Dan: Is it what? The truth? Yeah. Why would I make that up? I saw–I saw him–
Angela: At three in the morning?
Dan: No, no! I called at three in the morning. But I saw him, uh, a little after
midnight–
Angela: What were you doing at Keeblers at three in the morning?
Dan: I live on the ranch!
Angela: And what were you doing at this house at that hour?
Dan: (glances at SCOTT): What was I doing?
Scott: That’s what she’s askin’ you. Tell her what you were doin’.
Dan: I was just driving by. I had a couple drinks–
Angela: Where?
Dan: At Nackle’s over on Patrick. I drive right by this house to get to Keeblers.
Angela: And that’s when you saw him?
Dan: Plain as day. Had the trunk wide open, putting something heavy in it.
Angela: Did he see you?
Dan: See me? No, I don’t think so.
Angela: Where was he parked?
Dan: Where? Right in the Paul’s driveway.
Angela: Whose?
Dan: Paul’s.
Angela: Dr. Paul Lebeau. On Acre Tree Court.
(SCOTT gives his daughter a worried look–as if she’s made a mistake.)
Dan: Yeah, I guess. At that time, I didn’t know it was Lebeau’s place. I was just driving by–on Acre Tree–and Vince’s car is parked in the driveway, so I look over, and there he is lifting this heavy, long thing, wrapped in something, and rolling it into his trunk.
Angela: And you drove by without stopping?
Dan: Well, yeah. I wasn’t going to get into his business.
Angela: But you’ll call us about it. That isn’t getting into his business.
Dan: No! That’s you getting into his business! What’re you getting at here?
Angela: You play poker with him every week. He’s just parked in a driveway–you don’t know whose–and, instead of stopping to see if he needs help with whatever he’s putting in his trunk, you drive on by and call the police. Did I get it right?
Dan: (a pause): You got it right.
Angela: Can I be honest? (He shrugs and gives his okay.) I think that’s bullshit. (DAN turns to say something to SCOTT, but she goes on.) It makes no sense to me that in those five seconds you’re driving by you understood exactly what might be happening.
Scott: Well, maybe he did. (To DAN): Did you?
Dan: Well, it looked suspicious to me. It looked like he was putting a body in the back of his trunk–and you think I’m going to stop and help him?
Angela: You’re driving by after having some drinks and that’s the first thought that comes to mind? A body?
Dan: (chuckling): I watch too much T.V.
Angela: You oughta be a detective.
Dan: Maybe I oughta.
Angela: (stands; moves right over DAN, looking down at him): One problem.
Dan: Yeah?
Angela: Dr. Lebeau lives on Sycamore Lane. (DAN doesn’t catch on.) You said Acre Tree.
Scott: No, you said Acre Tree.
Angela: (silently cautioning SCOTT): He confirmed it, though.
Dan: I wasn’t paying attention, you had me flustered. It was Sycamore. Yeah, it had to be Sycamore if I was coming from Knackle’s over on Patrick Street.
Angela: When you called it in, what address did you give? (DAN is demonstrably stumped, looks at SCOTT.) Don’t look at him–he didn’t listen to the tape.
Dan: I don’t remember. I got it...when I drove by...remembered it long enough to make the call–
Angela: You remembered it for three hours!
Dan: Yeah. So? I forgot it just now.
(ANGELA looks at SCOTT, as if to ask, "What now?")
Scott: So he forgot. (Chuckles.) I did, too. It’s in the file, but I don’t remember it.
Angela: I’ll be right back. (She exits.)
Dan: (with sarcasm): How much you got in the bank, detective?
(SCOTT purses his lips and wags his finger at DAN, who looks around the room.)
Dan: (continuing): How long you been married?
Scott: Thirty-four years.
Dan: Whew! That’s a long time to be with one woman. (Pause.) You never got the itch for something different? Hm?
(SCOTT flies out of his seat, pushes him off the chair, and is about to kick him–just as ANGELA ushers in SIMONE.)
Simone: Oh, my God!
Angela: (pushing him away): Dad! Stop it! (SCOTT backs away, angry at himself for losing his temper, while ANGELA goes to help DAN to his feet. But he throws off her help, stands, holding his ribs. She points to the S.R. chair.) Mrs. Walker, sit there. (She sits in the S. R. chair.) What happened?
Scott: We can’t have two witnesses in the same room.
Dan: That’s fine, because I don’t need to be here. I have nothing to do with this!
Angela: Sit down! (DAN begins to sit in the center chair.) Not there. The other side of the table.
(Giving SCOTT a hard look, DAN sits in the S.L. chair. ANGELA looks at both men and sees that neither man is going to tell her anything. She goes to her dad and whispers something in his ear. When it registers what she has told him, he looks at the floor and remains looking at the floor during the following exchange.)
Angela: Mrs. Walker–
Simone: Simone–please.
Angela: Simone. You two have met?
Simone: In the, uh, waiting room, yes.
Angela: Do you know your brother’s address?
Simone: My brother’s address? I think I do.
Angela: What is it?
Simone: Four-sixty-two Eucalyptus Lane.
Angela: Eucalyptus Lane. Not Sycamore Lane?
(DAN closes his eyes–knowing he’s made a grand mistake. SCOTT looks at him.)
Simone: I know what street my brother lives on.
Angela: At three in the morning yesterday, we got a call on our T.I.P. line. An anonymous call. That Dr. Anders was seen dumping something that looked like a body in the back of his trunk. The address that was given to us–(she looks straight at DAN)–was four-sixty-two Eucalyptus Lane. Did you forget again, Dan? Or was it written down so you’d get it right when you called?
Dan: I’m just...confused. That’s all. I–
Angela: Confused. First it was Acre Tree, then I randomly threw Sycamore Lane at you and you jumped all over that one. You were sure it was Sycamore. It had to be Sycamore if you were coming from Nackle’s on Patrick– isn’t that what you said?
Dan: I don’t remember the street.
Angela: We found a severed pinky finger in a cigar tube in Dr. Anders’ freezer. It had a ring on it belonging to Natalie Anders. We think the finger belongs to your brother. The finger’s burned to where we can’t pull a print. (Pause. She looks at SCOTT, remembers something.) Wait right here–all of you. I won’t be a moment. (She exits.)
(DAN and SIMONE exchange a look of concern; then SIMONE pleadingly turns to SCOTT, who walks to behind the U.S. chair.)
Scott: Isn’t she great? One smart cop.
Dan: A regular chip off the old block.
Simone: (to DAN): What did you do?
Dan: (surrendering to his fate; quietly): Shut up.
Simone: (to SCOTT): What did he say?
Scott: Apparently–enough.
Angela: Sit down. (VINCE remains standing.) Or my dad’ll beat the crap out of you. (He sits. She wanders the room, studying each person–except her dad–as if they were a commodity, something on the shelf with a price. She finally turns to VINCE.) Who plays poker at your Friday night game?
Vince: Bob. Dan. Ed. Howard. Roj. And me.
Angela: Roj told me a few minutes ago that Dr. Lebeau played, too.
Vince: Yeah, sometimes. But not in a while. (He smiles, nodding, getting that she’s figured something out–and he looks at DAN and SIMONE.)
Angela: Why doesn’t he play with you anymore?
Vince: Same reason he considers conservatives extremists and liberals mainstream.
Dan: Oh, here we go!
Vince: Same reason he hates Rush Limbaugh, but admits he doesn’t listen to him.
Angela: What’s the reason?
Vince: Same reason he rages at discrimination but gives blacks and gays and women a pass on just about any slur–
Angela: Dr. Anders–
Vince: –or any mean-spirited, prejudicial attack on a conservative–
Angela: Dr. Anders–
Vince: –particularly a Christian one--
Angela: Dr. Anders!
Vince: –because everyone knows conservatives are bigoted, homophobic, bowelless robots of the American Right.
Angela: What’s your point? You’re making no sense!
Vince: He thinks he deserves everything he’s got because his intentions are good!
Angela: And what’s that got to do with not playing poker?! What’s that go to do with anything?!
(Pause.)
Vince: (quietly): One night a few weeks ago–St. Patrick’s Day–he drank too much at our game. And I offered to drive him home. On the way, he became melancholy. Talkative–stupid. And the next thing you know, he’s confessing to me that–(he breaks down crying, recovers and goes on)–that he had an affair–with my Natalie. (A slight pause.) I mean, why would he tell me that? Now that she’s gone? (A beat.) She’d joined a writer’s club–a kind of critique group–and for a year–(the anger surfacing again)–I thought that was where she’d been going every Monday night. But she was driving home from his house the night she died. She’d bought him a name plate for his desk. "Dr. Ribbit." (Long pause.) Paul was up for tenure. And he wanted it more than anything. It meant freedom. (Laughs humorlessly.) The day after his confession, I decided to show him he deserved nothing! I decided to take away the one thing most important to him.
Angela: His tenure.
Vince: Dan here runs a little bookmaking operation–mostly horse racing. (ANGELA turns to DAN and, like a bell went off in her head, she winces at a realization.) Paul didn’t go into great detail, but it was pretty well-known that Paul did pretty well playing the horses. They’d been friends for a long time, and Paul told Dan a deep dark secret. But Dan couldn’t keep his mouth shut and told Bob–one of our poker buddies–that Paul hired two graduate students to write his doctorate thesis. When Bob told me that, I should’ve gone straight to the Trustees with it, but I promised Bob I wouldn’t. And I like to keep my promises.
Simone: Are you going to let him say these things?
Scott: Simone.
(ANGELA furtively eyes her father.)
Vince: But I...I couldn’t keep this promise. So I wrote it all down. And I gave it to the Trustees on April second. And on April third, I invited Paul to my home and I told him what I’d done. The look on his face was–well, not quite priceless–but it was not without value. That thesis-for-hire got him his job. And he knew it was going to take away his tenure, if not his professorship. (Pause.) He called me Wednesday night and said he wanted to talk to me.
Angela: You said you hadn’t seen him since Tuesday. But you talked.
Vince: I knew he was desperate, and there was no way I could take back what I’d done. But he sounded so helpless. Lost. And I wasn’t feeling too good about myself, if you want to know the truth. Vengeance–even for noble reasons–is still vengeance. And I wasn’t proud of myself. (A beat.) He said his car was in the shop and asked if I could come by and pick him up. We’d talk on the way. I didn’t really have anything to say to him. But I didn’t see any harm in giving a guy a ride to work. But when I got there at nine, he wasn’t there.
Angela: He was sittin’ in Birdies having tea and waiting for the Enterprise Rent-a-Car guy to pick him up.
Scott: You believe all these lies?
Angela: Which ones? (Points to DAN): His? (Looks at SIMONE): Hers? (Slight pause.) Yours?
Scott: Mine?
Angela: She came in here Wednesday to report that her brother hasn’t been home or answered his phone since Tuesday afternoon. You said you told her that we can’t take a missing persons report for 48 hours, that we’d have to wait until Thursday afternoon. But Mina sort of screwed things up by having dinner with him Wednesday night and then–if she’s telling the truth–seeing him at Birdies Thursday morning.
Scott: How’s I supposed to know that?
Angela: True. But you insisted on getting the search warrant before the 48 hours was up!
Scott: Because we got the call! Somebody’s dumpin’ what looks like a body into the trunk.
Angela: Call comes in at three in the morning. Patrol checked it out–found nothing. We got in at seven. You went to Dr. Lebeau’s house anyway. At 9 a.m.–just when Vince came by to pick up Paul. You said you saw Vince come by. How serendipitous is that? You got his plate, you ran it. When you came back to the office, you made some calls, came in to me and told me you found out Dr. Anders and Dr. Lebeau had a long history of conflict. How did you know that? You talked to the school, but you never said anthing about Vince reporting the phony thesis. Why didn’t you tell me that?
Scott: Who do you think you’re talkin’ to?
Angela: Who did you call?
Scott: I don’t remember everybody I talked to. I’m workin’ ‘bout dozen investigations.
Angela: Name one person you called.
Scott: It’s in my notes.
Angela: You know, I thought at the time–wow, dad’s good. In just a few minutes, he has them pegged. I mean, you know, thirty years–it makes sense. So you go get the search warrant, we go search his house. You find the finger in the cigar tube in the freezer. And Natalie’s ring on it. I have to say, dad, I was impressed. I wouldn’t have ever thought to look in there. But you did. But, hey, you’ve been doing this for thirty years–it made sense. You told me in your calls to the college you found out Vince’s wife’s name had been Natalie and that she’d died in a car accident over a year ago. It all seemed to be coming together and the finger–no pun intended–was pointing right at him. So who told you his wife’s name was Natalie?
Scott: One of the administrators–I forget the name–it’s probably in my notes.
(She takes out a notebook–his notebook–from her pocket and holds it up. He reacts by going for the inside of his coat pocket–but he’s not wearing his coat.)
Angela: I wanted to check your notes, so when I went and got Vince just now, I got it out of your pocket. (She flips through the pages as she speaks.) Let’s see, here’s the notes to your Crawford case...uh...here’s some notes on that robbery at 7-11. Hm. Notes on–oh, an interview–maybe this is it! (A beat.) Nope. That’s another homicide–where the body was burned. (She flips through the rest of the notebook, until she reaches the blank pages.) And then we go blank. Wonder if we’ll find a burned cadaver in the morgue missing a pinky finger.
Dan: (to SIMONE): We’re screwed.
Angela: Tell me why you’re screwed, Dan.
(SIMONE rushes VINCE and beats him with her fists, screaming, but he catches her by the arms and ANGELA rushes in and pulls her off of him.)
Simone: (simultaneous with Angela and Scott): You did this! You ruined him! You destroyed him–and for what?
Angela: Mrs. Walker!
Scott: Simone! Simone! (He takes her from ANGELA.)
Simone: (crying; to SCOTT): He took his life, John! He killed him!
(She buries her head in his chest–grabs on to him. He lets her cry there a moment, then, with the truth rising, exposed, he gently wraps his arms around her–then drops them away suddenly, as if remembering something destructive.)
Simone: (continuing; to SCOTT, defeated): Teaching was Paul’s life.
Angela: (finally, the emotion coming): Dad?
(SCOTT seats SIMONE in her chair. He calmly handcuffs DAN, who just sits there.)
Scott: (to ANGELA): Charge him with bookmakin’, conspiracy–and blackmail. (He looks at SIMONE.) Charge her with–(he looks away).
Angela: With what?
Scott: Conspiracy. Obstruction. Lying to a police officer.
Angela: (looks over at VINCE): And him?
Scott: Abusive politics.
(Long pause as ANGELA’s professional demeanor slowly dissolves as she emotionally realizes that the heroic figure she always believed her father to be was not real.)
Angela: (trying to hold back the tears): And you?
Scott: (after a heavy pause): Simone and I...(shamed, he looks away from his daughter).
Angela: (anger rising): I figured that out. (Yanks SIMONE to her feet.)
Dan: Hey, take it easy!
Angela: (to DAN): Get up!
Simone: (to SCOTT): John, I can’t go to jail!
Angela: Let’s go!
Simone: I...I just love my brother! I didn’t do anything! I’m sorry! Please!
(ANGELA exits, holding on to SIMONE and DAN.)
Angela: (off): George, put them in separate lock-ups.
Vince: (anger welling in him, standing): You son-of-a-bitch!
Scott: (to VINCE): Guess your guy wins.
Vince: You self-important son-of-a-bitch!
Scott: Yes, I suppose I am a son-of-a-bitch.
(ANGELA enters and can’t look at her father; then she glances over at him.)
Scott: (pause; continued, to ANGELA): Everything caught up to me. I’m into Dan for sixty grand playin’ the horses. Your mother doesn’t know. She will. When she finds our savings gone. But I still owed him another thirty. Dan was goin’ to go to your mother if I didn’t come up with it. And he knew about me and Simone, because...because–
Angela: Dan’s her man. (He nods.)
Scott: I wasn’t goin’ to lose my wife–because of a woman who loves another man. And I wasn’t about to leave your mother with half a future. (He sits, the weight of consequence falling hard on him.) I had to change my life. I knew I could be a damn good councilman. But I didn’t have the money. Winning a seat meant coming up with a lot of money. Simone went to her brother. In exchange for helpin’ him disappear, makin’ it look like murder, and pinnin’ it on him, he paid off Dan and was going to come up with the money I needed for my campaign.
Angela: You got the finger from the morgue. The burn victim.
Scott: (suddenly stands and approaches VINCE): You made it easy to do this. I hate everything you stand for.
Vince: Fuck you.
(SCOTT suddenly draws his gun, aims it at him, before ANGELA can react–she’s got her hand on her weapon, ready.)
Scott: Give me a reason. I’d just as soon put a bullet in you. (She steps in front of VINCE, then he lowers his gun. ANGELA takes his gun.)
(Long pause as SCOTT steps closer to his daughter, reaches out, and tries to touch her cheek. But she turns her face. He crosses to the door.)
Angela: Where’s Paul?
Scott: Startin’ over. Good riddance to him, too.
Angela: What do you mean?
Scott: Goin’ back to France. He’s drivin’ a rental car to Vermont to see the rest of his family first.
Angela: It wasn’t just the money, was it? You knew you’d get the money by setting Vince up, but you had to know that this wouldn’t work. There was no way any of this would have changed anything. Everything was circumstantial. The D.A. wouldn’t have charged Vince with anything. What were you trying do?
Vince: (seething): He figured all he had to do was cover me in a veil of suspicion–keep me under investigation for as long as possible. Randall Jones would be on his own, and he’d have a better chance of winning a city council seat.
Scott: I risked my life for 30 years as a cop–servin’ the people of this town! I was willin’ to risk my own liberty. To give this town–my home–the best chance for pursuin’ that happiness you think everybody needs. Who the hell could possibly pursue happiness in this town under the tyranny of a guy like Jones?
Vince: Do you know the difference between liberty and tyranny? Or is that something you can’t explain either?
Scott: It ain’t what you and Randall Jones think it is.
Vince: Listen carefully. (reciting): "We all declare for liberty; but in using the same word we do not all mean the same thing. With some the word liberty may mean for each man to do as he pleases with himself, and the product of his labor; while with others, the same word may mean for some men to do as they please with other men, and the product of other men’s labor. Here are two, not only different, but incompatible things, called by the same name–liberty. And it follows that each of the things is, by the respective parties, called by two different and incompatible names–liberty and tyranny."
Scott: That’s crap.
Vince: Abraham Lincoln’s crap.
Scott: He was talkin’ about slavery–genius.
Vince: Same thing.
(SCOTT exits. A deep sadness overwhelms her. She sits at the table.)
Angela: I’m...I’m sorry, Dr. Anders. To have put you through all this. (VINCE turns for the door. Turning her ire on VINCE): Wait. You said of moderates like me that we sit on the fence, waiting for the, uh, the, uh, wind of logic to, uh, blow us to the opposite side. (On the verge of breaking down, she somehow finds a way to control herself.) Well, Dr. Anders, when you sit on the fence, you can see both sides. (She hands him the ring.) You’re free to go.
Vince: I’ve always been free.
(When he doesn’t leave, she stands and faces him. They stare at each other for several seconds, then):
Angela: Then go.
BLACK OUT.
Copyright 2010 by Tom Eubanks


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